when i go towards you it is with my whole life.
![]() | You came to the side of the bed and sat staring at me. Then you kissed me—I felt hot wax on my forehead. I wanted it to leave a mark: that’s how I knew I loved you. Because I wanted to be burned, stamped, to have something in the end— I drew the gown over my head; a red flush covered my face and shoulders. It will run its course, the course of fire, setting a cold coin on the forehead, between the eyes. You lay beside me; your hand moved over my face as though you had felt it also- you must have known, then, how I wanted you. We will always know that, you and I. The proof will be my body. — louise glück |


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It is not so much a drawing back as a realignment. His mouth moves along the line of her jaw, seeking her mouth. One soft kiss to the corner of her mouth, before one softer kiss set to her lips, gentle and maybe stolen, considering the rules they've been playing by. His thumb strokes along her cheek.
"Not yet," he says, soft against her mouth. "I can't yet."
Wysteria deserves to hear it, this thing that lives in the shape of his hands when he touches her, catches in his mouth over and over. It's been there for such a long time. It bloomed, unnoticed, and wove roots through his bones. It colors everything. Maybe she's already discerned it in him. But he doesn't know how to say it to her. Not yet.
"But I will. If you can give me a little time."
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"Then you will have to think of something else to tell or ask me now," she insists, a small huff of sound as her hand comes away from his neck.
It's not a withdraw—merely a relocation, her hand falling back to where his fingers have circled about her ankle. She mirrors it, thumb and forefinger wrapping about his wrist.
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"Lay down with me?" he questions, instead of telling her she is generous, that she's more patient with him than he deserves. It's not no, and it's not necessarily stalling, though he hasn't decided which of those options appeals.
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"One of these days, Mister Ellis, you will discover some impulse or question you cannot restrain. I am looking forward to it. For I think it a very charming attitude, and should like to see you cheered in such a state rather than distressed by it."
She has successfully wriggled her way back into the bed and up toward the head of it, wrestling to draw back the blanket from underneath her without exposing too much leg.
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Rather than protest the unlikelihood of such a thing occurring, he slouches up against the headboard, blanket pooling in his lap. Wysteria's assessment of the mattress had been more or less correct. It's smaller. By necessity, they are touching all along one side, hip to thigh to knee.
"Here, let me see your hand."
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"You may take your pick of them," she says, drawing both out from under the blanket.
Wysteria rests them palm up across his thigh, the acidic green of the anchor set into the one such a low and murmuring glow that the light it casts hardly illuminates much. It has been quiet today. Dormant - fit for illuminating little flashes of skin and the edge of clothes and not much else.
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"Here," he says, a little absent as his opposite hand prods carefully along the muscle of his shoulder until he finds a punched-in divot, smaller than her finger, ragged along the bottom and smoothly circular along the top. He puts her fingers there, then lets his hand drop back to his lap. "It's the first injury that scarred, and it was very foolishly acquired."
This counts as something told, surely. Foolish, boyhood story though it might be, it's a truth offered up to her.
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"Well?" Half told at best, surely. "You must know that you will now have to describe what manner of foolishness."
But she does at least sound equal parts pleased to petulant. It is not overlooked generosity.
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There's a few beats of quiet, presumably Ellis gathering his thoughts. He's focusing instead on her fingers, skimming lightly over his skin.
"I told you about my mother's books," he says, a little abrupt into the quiet. As his arms raise to rest upon his knees, the muscle of his shoulder flexes under her fingers, shape of the scar shifting under the new position of his arm. "Some of them were about chevaliers, so my friends and I imagined we'd become chevaliers ourselves one day. Or the Ferelden equivalent. We had a lot of plans I don't remember now."
And hadn't Ellis ended up in armor regardless? Some of it had come to pass.
"One of my friends wanted to make a great spiked club like we'd seen in the pictures. He mostly managed with some stolen nails and a tree branch, and you can imagine where it landed, once we worked ourselves up to weapons training."
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But also—
"It is a wonder anyone child ever manages to survive to adulthood, given how predisposed they are to whacking one another with sharp sticks or throwing themselves from things. Look."
Raising her right arm, she removes her left hand from his shoulder so she might use the light of the anchor to see by. It takes some moments to find the spot, and she has to sit up a little—twisting almost fully toward him—but eventually she illuminates a fine line one or two inches long and nearly invisible save for the way the light plays a little differently across it along the backside of her upper arm for him.
"I jumped down from the very top of the stairs," is a proud declaration.
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There's something charming about Wysteria proudly pointing out this second set of scars pointed out to him, knowing that she doesn't care for the idea of scars, even a pair so easily concealed as this. It's an unexpected return for a childhood story.
Gently, he reaches over and draws two fingers across her skin, one over each line. Down once, then again, in the little flicker of light from her shard.
"Rough landing?"
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"Stop," she adds, batting his hand away. "It tickles."
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The fragments of story she parcels out about her childhood are charming, even if they're quite literally worlds away from what Ellis knows or can conceptualize. His hand lowers, rejoins his opposite hand he's let dangle over his knees.
A few questions flutter through his head, but drawing out descriptions of her mother is likely best done when they're fully dressed and out of this room. Or when Ellis is ready to offer a description in turn, if that moment ever comes to him.
Rather than say anything, he slouches back against the headboard, crumpling the pillow beneath him, and hooks his hand back through hers. The kiss this time is more deliberate, mouth moving over her knuckles before he lifts his head.
"I've kept you up very late, I think. With all this talk."
Ha, ha. Ellis, the verbose instigator.
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"So you have." It is a harmless enough thing to let him take the blame for, if he really wants it. In the mostly dark, her mouth tugs towards a smile and then is smoothed over into a very serious line. "We will have to keep it in mind tomorrow, and either return earlier or go straightaway to bed without any conversation at all."
It is said in fun, but it also isn't. Perhaps he means to only stay here this evening. Or perhaps tomorrow she will suggest he return to his room, for a person can only have so much of a pleasant thing before it becomes saccharine. Or maybe she will find tomorrow that the idea of sending him away is very unbearable. But for the purpose of the joke—
Anyway.
Still sitting up, still twisted toward him and given his slump nlw with a little height in her favor, she pauses then to set a hand on the headboard. A tentative flicker is overcome before it really shows, and then Wysteria bends. She kisses his forehead.
"Remember, you must not tell me if I snore," she reminds him, and then makes to wriggle her way between him and the wall and so down under the blankets and to the pillow.