when i go towards you it is with my whole life.
![]() | You came to the side of the bed and sat staring at me. Then you kissed me—I felt hot wax on my forehead. I wanted it to leave a mark: that’s how I knew I loved you. Because I wanted to be burned, stamped, to have something in the end— I drew the gown over my head; a red flush covered my face and shoulders. It will run its course, the course of fire, setting a cold coin on the forehead, between the eyes. You lay beside me; your hand moved over my face as though you had felt it also- you must have known, then, how I wanted you. We will always know that, you and I. The proof will be my body. — louise glück |


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If Wysteria cannot put it into words, then there is little hope for Ellis.
But it matters so much more that she feels this inarticulate, overwhelming thing. It is her first time. Ellis has felt the weight of wanting to give her every part of what is due to her, to satisfy even the things Wysteria doesn't exactly know to ask for.
There is sweat prickling at the nape of his neck, in the space between his shoulder blades, along his hairline. They move so easily together now, and he is so well-guided by her hands, the dig of her heel.
"Go ahead," is thickly said, a murmur against her mouth between one absent, clumsy kiss and the next. "I'll follow after, but I can't..."
Sustain this forever, whatever his intentions. The winding build of heat and pressure in his body can't be slotted neatly away, not with her flushed so warm beneath him, making soft noises into his mouth. It is impossible not to give over to her. It feels miraculous to have held out so long already.
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"Please," is also a small, desperate noise into his mouth. Only there is her hand working at his shoulder, heel of her palm finding his collar. Pressing there, urging some distance between them so that when he can't, she can mark it in more than just his dark eyelashes or the scrape of his cheek.
"Please, Ellis. Just let go."
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Levered upwards under the pressure of her hand, Ellis parts from that close alignment of their bodies. His mouth trails along her jawline, drops a parting kiss to her mouth as the dig of Wysteria palm creates and demands space. It holds him there, over here, with only the line of his arm to keep him so suspended.
The impulse to protest is clear in his face. What Ellis might argue, were he not so completely occupied by her: what he won't be able to do after, not for some time, what might be left undone and how intolerable the thought of it is.
But it is impossible, especially in this moment, not to give her what she wants. Even if what she wants is to look at him while he comes apart in quiet increments.
So that protest breaks, turns the start of something (I—) into a wreck of groan. Held at such a distance, however narrow it may be, he is kept from blurring and muffling any part of the sound by kissing her. The cycling rhythm between them hitches, urgency seeping in at the edges. Faint, but not all-consuming.
It is a slow shattering. When Ellis can't, he comes apart slowly, with tremors in his arm and his fingers pressed down firmly over her and involuntary, jagged sounds pulled softly from him as his head drops. When all breaks apart, all motion coming to an end, Ellis bows into her, that drop of his head bearing him back down into her. This too happens slowly, this collapse, this reallocation of his weight from one shaking arm to draped over her body once more. It puts him back close enough to kiss her as if it's the only instinct left in his head.
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How handsome that slow collapse is. It pulls a sharp, hitching sound out of her. Prompts the hook of her leg to tighten in a way that's only half unintentional and the eager crumpling of her braced arm. How ready she is to meet his mouth when he founders down.
Winding fingers through his hair and her arm about his shoulders, Wysteria is all too happy to guide that insensate kiss. It's slow and rich, panting warm. The gentle application of teeth, relishing in his mouth, and the heated press of his body over and through her, and the sensation of all that tension she's felt under her fingers come fully slack.
For some measure it's just breathing loud into that narrow space, shifting her fingers through his hair and kissing him. The shape of her limbs slip to gradually less motivated tangles. Eventually, warm and in the shape of a laugh against his prickly cheek—
"Will you survive?"
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Ha, ha.
This too, is gradual, the way Ellis begins the process of spooling himself back together. For all he is still draped bonelessly over her, some of the lax quality has begun ebbing away. There is some intention, for instance, in the way his mouth moves against her cheek, the line of her jaw.
"Let me—" is more grounded, practical rather than desperate. There is a realigning of his hips, lifting and resettling between her thighs. He is still touching her, two fingers holding his place while Ellis remembers his place within the universe.
He kisses the high point of her throat, opposite hand lifting to cup her cheek.
"Good?" he asks, rooted less in the physicality of the moment and more about her expectations, what she had wanted to see and asked so directly for.
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"Yes, thank you." In that close knit space, she turns her face into his palm. Kisses the heel of his hand; he must be able to parse the curve of her mouth. Her smile lives in the hot air of her breathing and the incidental catch of teeth. "Well done, Ellis."
How smugly satisfied she is to say it, praise like an affectionate pat. Her own audacity makes her laugh again, lighter and undirected as her legs sag free from about him. The whole arrangement is so distinctly satisfying. His weight and his hands, and the low rasp of his voice, and the naked heat sandwiched between them. Imagine the luxury of lying here like this for some time. Maybe some of that slack quality which is already draining out of him could be coaxed back—
"Thank you," she says again. The tenor has gentled. Her second kiss to his palm is considerably softer.
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An absurd thing, Wysteria thanking him. If anything, he should be thanking her.
"Aye," comes as a rumbled murmur at her throat, before his lips drop a trail of kisses from collarbone to shoulder, back again.
What else is there? He is content to remain here, draped over her in place of the furs and blankets set out for them. Even with awareness of their position, the unfocused looseness of his limbs slipping away like the tide drawing out, Ellis is still aware of how pleasant it is to be arranged in such a fashion.
"I love you," he tells her, though Ellis has said it so many times since the door to this room closed behind them. A great rush of sentiment, as if to make up for all the times he hadn't said it aloud.
It has been such a long time, holding this emotion in check.
"Is it what you expected?" he tacks on, one hand groping blindly for the furs and blankets. Some minor concession to practicality, their eventual tilt towards sleep.
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"It's not a very thoroughly discussed subject in Kalvad, you know. Or," she amends. "Well I suppose it might be. If you have sisters or aunts or girl cousins to whom you're very close in age. But I think what I expected was—"
Her fingers at the back of his neck are soft, idle. They meander through the curls at his nape, drawing thoughtless loops as meandering as her answer is.
"Significantly less collaborative, let's say."
Turning her face toward him is a matter of degrees, not significant save for the already general narrowness of the space.
"I rather like it when you ask for my opinion. Broadly speaking. Not just when we've all our clothes off. And I like how different your saying that you love me sounds depending on when you choose to say it. It's very charming. It makes me think of—" hm "—Collecting coins."
All of them more or less the same object, just different shapes and sizes and colors and denominations.
A pause. A breath. It's only a little reedy.
"You're not sorry, are you? To have been badgered into all of this."
She's only very marginally serious. Hardly at all, really.
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But the question.
"No."
Solemn.
Wysteria may be only marginally serious, but even a modicum of uncertainty must be met and answered without hesitation. Ellis' face is still turned in against her skin, breath coming slow and steady under the draw of her fingers through his hair, but his voice weights the word seriously anyway.
"I'm not sorry to be your husband."
It is as he told her once: he was always hers.
If he is sorry for anything, it's for all the things that he cannot change. The ways he will inevitably fall short.
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"That's good," she says, smiling against the warmth of his cheek in that secret little space between them. The shadows of his form as thick here, the light from the intended fire failing to penetrate this far. Her nails scuff gently at the scruff of his neck. It's an affectionate scratch like one might afford a dog behind their shaggy ears. "As I enjoy spending a great deal of time in your company, and if you ask me then us being married makes for a very convenient excuse to do so."
As if they hadn't monopolized one another's time before.
"And I think it's very romantic, you know. That we should both end up in the same place like we have."
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"Which place is that?" is less solemn, content to let the edges of his tone soften with the certainty that she is convinced, rather than harboring some uncertainties as to his investment.
Between them, he is aware she has more specific ideas about romance. Ellis is well-read, yes, but has not taken quite the same note of certain themes. Or he hadn't, until he and Wysteria were passing books back and forth between them.
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She hardly notices the green glow of the anchor in her palm anymore. It seems so natural that he should sometimes be touched in that electric green light as she scuffs fingers through his hair or idly across his shoulder. But it's true that the odds are outrageous—they both allegedly have other lives they really ordinarily would be attending to, don't they?
"Obviously I'm not saying that it's a good thing Corypheus has gone rampaging across the world, poking holes in Veils and doing dreadful things in the Anderfels and so on. I'm merely noting that the circumstances of you and I being here like this are extraordinarily unlikely. I don't think I've ever had something quite so rare as all that before."
She pushes his hair back from his temple. Kisses his cheek. See? Romantic.
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But all heavier matters aside, Ellis can appreciate the odds Wysteria is alluding to. Imagine, had the rifts delivered the person standing two paces to her left rather than Wysteria herself.
"Aye," he says. "I have been very lucky."
And braces himself on one elbow, so he might lever himself up and set a kiss to her mouth again.
Imagine, he might never have come south. He might never have known her. He might be entombed in the Deep Roads, or embroiled in the brewing conflict in the Anderfels. But instead he is her, flushed warm beneath blankets alongside her.
"I understand."
Not that she is pleased for the state of Thedas, only for the two of them brought together this way.
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"Otherwise I wouldn't have said it, as it sounds a little macabre. 'Oh, look at all these awful things that have happened but isn't it charming that they did otherwise I'd never have met you and there I'd be in Kalvad probably doing something very dull instead and finding myself some equally boring husband.' It could all appear a little selfish. Which I suppose it is. But only a little."
And if it's more than a little selfish to think so, then maybe she doesn't mind being self centered on the subject. How could she be? Propped there on his elbow like that, she can nearly get a proper look at him. It's difficult to imagine not seeing him so with regularity, and so pleasant to do so now that she has no trouble at all pretending in the moment that it will always be so.
Her hand migrates, moving to play interception between his chin and hers. It reduces the kiss she gives him to barely there.
"Although come the morning my face is going to be all red from kissing on you. So one of us is in fact making a considerable sacrifice for all of this."
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Perhaps enough of a remedy to alleviate some of this dreaded redness. (It was not exactly packed in the spirit of warding off beard burn. At this late stage, it seems unlikely Ellis will need it for any other kind of mishap.)
However, Ellis' bag is across the room. And it would be such a shame to spoil their present arrangement, so the words remain suggestion only, set against her fingertips as his head dips slightly.
"If I fetch it, can I kiss you again?"
Properly, without the guard of her palm over his chin.
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Surely this is the most gentle way she's ever teased him, her fingers curved gently about his chin and her eyes bright and close in the nearness of their faces. Her smile must be a felt thing more than it seen, so for emphasis she manages to articulate one of her limbs just well enough to hook an ankle over his calf. Trapped.
(How perfect he is like this. Maybe she would miss those creased wrinkle between his eyebrows if they ever went entirely away.)
"Try again," she says, her hand slipping from its place between them. "Let me see if I've grown immune."
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When had he last managed anything resembling something lax and boneless? Perhaps on the floor of that little shed, feverish and aching, back slick with salve and Wysteria's hand in his hair.
This is not that. But it is near to it, in the way intention has resolved itself to attending her.
Try it again she asks, and Ellis takes immediate advantage of the removal of her hand to kiss her again. This too has a softened, open quality to it. His hand comes to her face, fingers at her temple, slipping along her hairline. He lingers in this kiss, as if he hasn't been kissing her for hours now, as if there is still some deficit meant to be sated.
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"Oh no. It's still terrible," must be a patently falsified complaint. Her hands are idle at his neck and she twists faintly under him, imploring that he kiss her again. "You'll have to continue."
Ha ha ha.
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There is so little room left for her answer. Ellis is kissing her still, between one word and the next. Soft, languorous kisses, given in answer to the incremental movement of her body beneath him.
"I thought you might be."
Or that Wysteria would tire of his weight pinning her down, or some lingering ache would require space, or that she might rather read or talk or do any other thing in the dwindling hours of the night than let him kiss her as he pleases. Even after all things passed between them, Ellis still holds himself braced against some future end point.
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But kiss her again, it demands.
"Only I want to make you laugh, and I'm too stupid right now to think of anything very witty," is managed somehow in the intervals. "So you'll have to make do with ridiculous."
There, she sets her teeth to him. For good measure.
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Kisses her again, as requested. Open and easy, before he tells her, "You're perfect."
Maybe there won't be a laugh. But there is the curve of his smile, remaining even when the kiss breaks again.
"What do you want for breakfast?" is the kind of absurd question likely to get him scolded, regardless of his sincerity in asking. His mouth returns to hers, then to her jawline, without waiting for her to drum up an answer.
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"Bacon." It tickles to have him kiss her there. She squirms a little. "And a boiled egg, and the heel of some bread with warm broth to soak it in. And another cup of that cider, or coffee, or both." Exhausted and ravenous, apparently.
"Do you know how to drive a sledge and dogs, or will we have to puzzle it out? You recall that I'm an excellent driver."
With a little blind fishing across his shoulder, she draws the heavy fur further over them.
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Ellis will rise with the sun, and see about gathering these listed elements for her. Their host might be obliging, considering how much she has already entertained on their behalf.
Under the weight of the coverlet, Ellis settles by degrees. Draping over her, a loose-limbed weight across her chest. A chuckle humming in his chest for the assertion as to her capabilities behind the wheel, before he tells her, "We might hire someone to drive us. It'll save us from purchasing the cart."
A lower, thicker quality to his voice where the words come pressed against her throat.
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The very audacity! She tsks once more between her teeth for good measure. The hiss of it is nuzzled very close to his temple.
It's true that she's tired and that he's very heavy and eventually these two things will urge her to slither out from under him. But he's so beautifully warm and she can feel it when Ellis begins to uncoil; she can't bear to do so now. Instead, Wysteria smooths her hand idly along his shoulder and his back, the press of her fingers firm as if she coax whatever drags of tension remaining in him out.
She doesn't say, Go to sleep, Ellis, but it must live there in the shape of her touch and the slow huff of her breathing.
"'Hire someone,'" mumbled. "Ridiculous."
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A murmur against her throat, followed by a deep inhale of breath. Not quite a yawn, but so near to it that the distinction is hardly worth noting.
But the request, unvoiced as it is, still has the desired effect. The beginnings of composure, drawing muscles taut, that had returned to his body are easily smoothed away. His fingers twirl a lock of her hair in slow, absent loops as his breathing slows.
It's not his intention to drift off. There is so much in this moment, such ease and warmth, all things good kindled between them. He'd stay in it longer, hours, if it were left to choice. But it had been a long day, regardless of how they'd planned to spend the night.
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