heorte | when i go towards you it is with my whole life.

"Two," she corrects as she draws her stocking foot from his possession. "And I'm owed one as well."

Elbows removed from the chair's arm, Wysteria reaches for him before she really sways down: her hands, which are both a little rough work and one limned in the green glow of the anchor buried in its palm, catching him at either side of his face so she might encourage the tilt of his chin or set her nails just there—gently into the curls about his temples.

The first kiss she gives him is quickly applied to his cheek. The second is pressed firmly to Ellis' mouth.

There is a point where Wysteria means to draw back. Ellis doesn't let her.

Or rather, he kneels up, prolonging their kiss rather than allowing any sliver of distance between them. Her hands feel good where they are, heels of her palm bracketing his face.

One hand has come to rest loosely at the bend of her knee. Ellis doesn't need to be steadied, but he keeps his hand there while he reaches further, finds the arm of the chair and leans in closer to her. It is begging stay with his entire body.

There is a game they're playing and she is meant to ask a question and he is meant to be bestowing a kiss. Does this count as one kiss or two? Does the lack of a sufficient pause mean this is still Wysteria's kiss?

Questions for whenever she breaks away in earnest. Not for Ellis to ask now.

His pursuit warrants a soft sound—not of protest, but of amusement. It's gentle like a smothered laugh, made encouraging by the supportive shape of her hands about his face. The earnest quality of his kiss is charming and simple and pleasantly straightforward. It's very easy, like this, to feel as if she understands him perfectly well even despite the great many things she doesn't know at all.

(That too is a very broad thought. It might apply to the shaded parts of the life Ellis led before Riftwatch, or to this business of kissing and bodies, or simply the silly discrepancies between Kalvad and Thedas that even now despite years of experience occassionally catch her unawares.)

It makes for a very sweet kiss, doesn't it? And while it's doubtless that the semantics of the game might be debatable, it seems clear that Wysteria considers the lack of sufficient pause to be a defining trait to the exchange. When she breaks back from him, it's brief. The smallest hesitating punctuation—not to debate whether she should kiss him again, but how exactly.

Slowly, she decides. It's a kiss designed to take full mechanical advantage of his leaning up to her, and her fingers at his temples that might quietly encourage more severity from the angle. Not tentative, really, but testing in the same way she might any other idea.

In all things, Ellis endeavors to leave Wysteria space for retreat. In this, that possibility is assured. He can only pursue her so far before he finds the limitations of his body, before his knees must leave the ground and in doing so require some disentangling and rearranging, enough so that any reprieve needed would be noted and granted.

She has assured him time and again of her trust in him. But still, there is much to be mindful of.

Trust given on his part has not yet registered in his mind. (It was given so long ago that it cannot be noteworthy now.) Her hands are so gentle in his hair, but they are insistent. Ellis' laugh is more exhaled breath, throat working around some unsaid thing as he tips obligingly back under the coaxing of her fingers.

His hand flexes at her knee, tightening. It is permission. It is some permutation of alright pressed firmly into the bend of her knee by each fingertip.

It's rather like the pleasure of being rewarded with good indicators from any experiment. There is a thrill of optimism, and a further narrowing of her attention as she measures the trending direction of the result. The squeeze of his fingers, and that little laugh, and the exposure of his throat with its heavy scar are all very encouraging.

The kiss she rewards him with (it's his, technically, if they're still counting and she is), is all slow and more smiling than she intends it to be. She would rather have kissed him very seriously like something out of that chevalier romance he gave her so long ago where everyone was always making a great fuss about lingering touches and soft sighs and all that. But thinking on it makes her laugh even despite all this leverage. She wheezes against the corner of his mouth.

"Is it my question or yours?" is asked more or less against the scruff of Ellis' chin, hands still cheerfully bracketing him.

There is so much to be said for this kiss. It's sweeter for the curve of her smile, for the way she breaks on a laugh. Ellis' hand shifts just so, from the bend of her knee and just a fraction higher, thumb over the top of her thigh as his palm sets just across the side of her leg. Fabric crinkles softly under his hand. His eyes don't leave her face.

It occupies him throughout the moment of careful consideration necessary to trace back conversation far enough to say decisively, "Yours."

He might take this as some release, but the position she's set him in is maintained. Her hands feel very good where they are. And it is no hardship to watch her expression, how pleased with herself she is at the success of her game.

So it is.

With him caught between her hands, Wysteria straightens just slightly so she might survey him there. It's good humor masquerading as highly serious study; there is a spark in her pale eyes and a laugh lurking at the corner of her mouth and neither of them are well disguised by the furrow of her brow.

"How would you like me to kiss you? —And don't," she hastens to say. "Say something like 'However you like, Wysteria.' That would be a very poor answer, Mister Ellis, and not at all in keeping with the spirit of the game."

This is an unexpectedly difficult question. How would he like her to kiss him? Anyway she pleases is true. It is the first thing to comes to mind.

Specifics followed closely after, memories of all the ways she has kissed him spinning out in an exhaustive list: from the quick pecks to the soft, lingering press of her mouth to the way she'd kissed him that day beside the lake. He thinks, briefly, of the yielding shape of her body against his in the clover.

"You're too quick for me. What answer do I have left?"

And so his hand leaves the arm of the chair, reaches for the clasps of his gambeson without looking away from her face.

"Have this in exchange."

He might follow her example, and start with his boots. But he doesn't care to pull back from her to do so. Yielding his gambeson is a worthwhile tradeoff.

The wrinkle between her brows deepens, and for a moment as he shifts to shed his gambeson the frown she wears is real and this lay of her fingers in his hair is— Well, it would be inconsiderate to give him a little checking tug there at his temples, and so she doesn't do that. But the twitch of Wysteria's fingers suggests the impulse is very real.

"I'll make do with that," sounds very like how a scolding slap at the back of his knuckles might.

A flicker of apology works across his face. He squeezes Wysteria's thigh as he works the fastenings loose with his right hand. The gambeson comes loose, and he shrugs it free from one shoulder, then the other, relinquishing his hold on her leg long enough to sweep the fabric around and lay it over the arm of the chair.

It's all easily done. Ellis doesn't shift his attention away from her as he does it. The movement of his body is contained, holding his place so as not to disturb the placement of her hands.

"Ask me something else, so I might work my way towards a late answer for you."

"It's not my turn," is a prim reincorcement of the rules they have been delicately bending for quite some time. But here she is, insistent.

"You will just have to come up with something."

His hand returns to her thigh. There is a slight pinch in his brow, assessing, as he casts about for a question.

"When did you decide you intended to marry me?"

It would be rude, maybe, to borrow her question and turn it back to her. So this, an idle query. Ellis has wondered whether it was simply that terrible cat and her mistress that tipped the scales, or had she already made up her mind before that.

She opens her mouth to reply, an answer clearly ready just there behind her teeth— and then she stops herself, the sound of it like a breath split in half. She closes her mouth. Purses her lips. After a moment of consideration, Wysteria adjusts the line if her calf in that narrow space between them and shifts her boot out from under the shadow of the chair. She prods his knee with the shoe's toe.

"The other boot if you please, Mister Ellis," says says, drawing her hands from his face. It's a very petty sort of revenge, made more so by the fact that she doesn't wait for him to comply before asking—

"What did you think of me when we first met?"

Ellis sighs as she lifts her hands away, but protest begins and ends there. Without the bracket of her palms, he settles by degrees, the angle of his head coming down as he sits back on his heels to attend to her boot.

"I liked you," is the beginning of an answer as he hooks his fingers into the laces. Ellis voice dips low and fond over those three words. They carry weight. He'd been surprised then. Ellis shakes his head, continuing, "I liked hearing you and Tony talk, very much."

Looking back, it is hard to map out exactly what had hooked into him. Like Tony, their friendship had simply settled into place without any question or effort. Caring for her had come easily.

"I thought you were very clever. And that you could use better protection than standing fifteen feet back from whatever dropped out of rifts."

'Clever' is fine.

"Not that I was very pretty?"

She has moved her hands to the arms of the chair, but it still leaning slightly forward—ready to twist her foot free once the lacing of the boot has come loose and Ellis makes to remove the shoe.

"Don't answer that. It wasn't a proper question, and we're playing by the rules now."

"I liked to look at you," Ellis answers, ignoring her instruction. He has to kneel up again to cup her face, catch a stray lock of hair to twist around his finger. "I don't remember when I realized why."

Whether why is because Wysteria was very pretty or because he was very much in love with her—

Well, this is a contraband question. He doesn't need to make himself very clear. With her help, the boot comes free. Ellis sets it alongside it's mate, nudges them carefully beneath the chair and out of the way.

"I'll let you have both for one kiss."

"Only because I told you not to answer, and so it isn't my fault the you didn't let me retract the question."

Apparently the removal of her second boot has done nothing to rescue them from arguing semantics territory. But at the very least, she does bend partway for this: tipping her face down toward him, and leaving some part of the distance for him to close. It's meant to be his kiss, after all. And if he can't tell her what it is that he wants from her, then he will simply have to find some way of showing her.

It's fair enough.

Or Ellis is content enough to kiss Wysteria without arguing the finer points of the rules as he's heard them so far.

Here, his hand cups her face. He slides his fingers into her hair, heedless of the hastily reapplied pins. Ellis is not thinking as to what might be instructive. He is thinking about how much he wants to kiss her, and that he misses her hands on his face.

It is a slow, coaxing sort of kiss. There is a scrape of teeth at her lower lip. His hand is very gentle at the nape of her neck, keeping Wysteria close as he kneels up to her and stays there. His kiss is very open. And with Wysteria above him, she can do with that as she wishes, draw back when she pleases.

It is, in effect, the sort of kiss designed (intentionally or otherwise) to inspire impatience. Is there nothing more infuriating than having one's little display of vindictiveness met with methodical patience? To offer something as simple as kiss me how you like and be given this opportunity instead. It's like having a question answered with a question.

With the same impulsive urge to never let go of an argument (no wonder Byerly Rutyer finds her so exhausting), Wysteria stubbornly sways in under the shape of Ellis's hand. All at once, her hands do return to him: catching Ellis once more by the soft curls of his hair, only less gently. From this vantage she may take that sweet, yeilding kiss and make it insistent. Take the openness of his kiss and impetuously fill it with a little sound of exasperation and some impromptu, uncalculated press of tongue.

She can't very well throw him over her shoulder. But this is near to an equitable alternative. Stupid, well intentioned man.

It is an argument, yes. There are ways Wysteria does things, even when she's silent, that telegraph her rebuttal as clearly as if she were speaking aloud at her usual clip. The exasperation is so clear. He can almost taste it.

The chuckle it draws from him might be an infuriating thing too. But it's gone quickly. Wysteria is making a demand of him, and Ellis can do nothing but answer it.

His teeth nip a second time at her mouth. He arches up under the tightening of her hands in his hair. Wysteria is obliged to part her knees for him, the pressure of his hand at her thigh coaxing so that he might fit himself into that new-made space. Fabric rustles as he leans further in, further up. Insistent, that's what Wysteria brings. Intent is what Ellis answers with, that same patience lingering even as heat kindles between them.

There is still that same element of those early kisses in the attic of a small tavern after they'd fought off a handful of bandits. A sense of something held in check, even as he fills the space, grip tight at her thigh, pulse beating hard in his throat.

There is the soft rasp of her tartan skirts and the quiet sting left behind by his teeth. She is aware, very distantly, of the heavy shape of his hand and how it spans across her thigh and the intent press of his fingers. Were she less fixated, she might take greater notice of it. It and the way her knees must part to allow him to shift closer could easily fluster.

But she is fixated—frustrated and impatient, made bold by that restraint she can sense lurking in him. How long has she been asking him to do as he likes? Weeks. Months. Eternities, surely. And yet here he is, patient and steady and bending only when she asks him to.

So she draws him into that space, as pointed as she is stubborn. If he is restrained, then she is not that. Her fingers have tightened into fists in Ellis' dark curls and these are not the delicate, breathing kisses from out of that book on the chevalier. She kisses him very hard, and tastes the heat of his mouth on her tongue, and is only faintly aware of the heat brimming in her middle because of it, and—

Wysteria gives his hair a brisk tug.

This nets her a low, startled groan, breaking the kiss. Ellis' breath hitches against her mouth, in that narrow sliver of space between them.

Ellis has a passing thought: they have perhaps reached the end of the game, as he'd anticipated. And even if they were to count this kiss as one thing, Ellis is already swaying back to her under the tight flex of her fingers in his hair.

The second, hard-drawn breath seems as if it may precede something spoken aloud. All that restraint is drawn thin, but it holds. When he sets his mouth to hers again, its still there, despite the shuddering urgency of the kiss. He can do nothing but kiss her. His mouth opens under hers. He chases her upright, to the point where he can stretch no higher, press no closer into the space she's ceded him.

In the course of their kiss, his hand has left her neck. Ellis sets his palm over her other thigh. His fingers grip there, ten points between both hands, flexing hard. All the disparate, muddled impulses keep his hands there for a long moment as he answers her, firm and intent and—

"Wysteria," comes softly, ragged against her mouth. Teetering between requests, even as he considers the inevitable: there is no part of him that believes Wysteria has finished arguing her point.

But it breaks a kind of hold, that sound he makes and the sigh of her name, and so all at once she says, "You were supposed to ask me more questions. And that way I could refuse to answer them and then you would have to help me undress. I'd decided on it already. Ages ago. Oh, I dislike how good you are at being cautious. It's truly dreadful. You are meant to have done something by now, you know. I shouldn't even be kissing you at all, but I am and yet here you are, being so—"

So—infuriatingly measured.

Wysteria makes a snitting, scoffing sound against the shape of his mouth. She squeezes her knees about him. Please, Ellis.

"I took off your boots," is not the same as undressing. It's barely even a protest. It ends in Ellis kissing her again, spurred by the pressure of her knees. There is still lingering urgency in it, as if it is an absolute imperative to draw out their kiss until—

Well, the end point is some hazy, uncertain thing. Ellis considers walking outside and sticking his head under the water pump to dispel some of the heat that's gathered and spread through every inch of his body, ticking hotter when she'd put her hands in his hair, ticking hotter still when she'd pulled, when she'd insisted.

"I can do something," Ellis says, in that same low, ragged tone. It doesn't necessarily promise anything; Ellis has helped her out of her clothes before. When Wysteria says something, his hands flex at her thighs but nothing more, because Ellis continues, "I thought you'd wanted to wait until after the vows."

"Oh, Ellis," is all exasperation, and punctuated by the flex of her fingers. A less blunt tug. Some huff of breath exhaled very close to his mouth. "Everyone says—"

Wysteria straightens abruptly. Her face is warm; pieces of her gold hair have come unpinned and become fully flyaway and her grip on his temples hasn't relented in any particularly measurable fashion.

"You're not going to leave me, are you?"

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